Битеф
istorijske, poetske Hi aktuelne situacije) postupkom prezentacije (direktna konstrukcija situacije na sceni] na publiku s literarnim horizontom očekivanja može da deluje kao recepcijski šok; to budi strahove i dvoumljenja da postupci koji teatru ne jamče njegov filološki kontekst preobradaju ga u apstraktan i otuden scientizam i formalizam. Takvi strahovi i dvoumice su sa šire tačke giedišta teorije i istorije teatro svuda prisutni, ali kod nas je, pák, táj procès uistinu dostigao kvantitet i različitost autorskih pristupa, što mu omogućava status koji mu površne klasifikacije, pa tim i istorija i teorija teatro, ne mogu osporiti, ■ Eda Čufer, »Maska«, Avgust-Septembar 1992,
LABYRINTH After the video »Biiokacija« (1990), »Labyrinth« is the second video dance project of Gržinić and Smid, Video »Labirint« is based on frenetic and histerical actions and interactions of the body and the video medium, The body is placed in »Magritte-like landscape« - a melon, stuffed bird, wigs, a trumpet, celluloid heart - over which dancers are walking and performing: a striptease artist in an erotic tango, a man eating with a hundred hands, a prima ballerina dancing the black swan in a refugee camp, a little girl devouring a bird, ■
HOW I CAUGHT THE FALCON Franc Schubert composed the Symphony in B minor in 1822, He never heard it performed, It had to wait more than 43 years to be performed, It subsequently became one of the most popular symphonies in the history of music. Rather than »The Unfinished« it should have been nicknamed »The Endless«, Schubert only managed to write nine bars of the third movement - Scherzo it is not known why he never finished the last two movements,,, ■
ROAD »Road« is a play of contrasts - East versus West, nature versus city, meditation versus energy - a haiku out simplicity. ■
ICHT »loht« is a story of a man and a woman, a story about the eternal game of attraction and repulson, Vanity and selfishness determine the relations between the dancers who first seem to be close to each other, but then start teasing and fighting each other, An expressionist text by August Stramm is voiced over the piece. ■