Битеф

TRAGOVI U SNEGU

umetnicka autobiografija jedne glumice Glumica: Roberta Carceri Svaka predstava priča priču. Karakteri koji pripadaju svetu fikdje postaju za gledaoca uverljiva stvarnost zahvaljujud glumčevoj tehnid. U Tragovi u snegu sama tehnika postaje protagonist. Glumica vodi dijalog sa tajnama koje prethode i prate gradenje karaktera i stvaranje predstave. Ona prikazuje taj procès i otkriva njegove tajne. Tenzija koja karakteriše svaku dramu je takode prisutna u ovoj predstavi/demonstradji rada, zahvaljujud sučeljavanju izmedu dva oblika ponašanja: svakodnevnog i scenskog. Demonstradja je na engleskom jeziku. Traje jedan sat i 45 minuta. TRACES IN THE SNOW an actor's artistic autobiography Actress; Roberta Carreri Duration: one hour and 45 minutes Every performance tells a story. The characters belonging to the world of fiction become credible reality for the spectator thanks to the actor's technique. In Traces in the Snow the technique itself becomes the protagonist. The actress carries on a dialogue with the secrets which precede and follow the building of a character and the creation of a performance - and its process, she exposes these secrets. The tension which characterizes every drama is also present in this performance/work demonstration, due to the confrontation between the actress's two forms of behavior: daily and scenic.

ŠAPUTAVI VETROVI U DRAMSKOM POZORISTU I PLESU

AnsambL Odin teatreta - demonstradja režija; Eugenio Barba Prikazivačka dvilizadja evropskog porekla pati od pódele na dramu i pies, kao da su to dva univerzuma pozorišnog izraza. A to su zapravo jedan jedinstven svet koji se razvija u dva posebna žanra, pa ipak ukorenjeni u iskustvu kako da telo-duh izvođača postaje scenski prisutan. Umesto dramskog pozorišta i igre (plesa), mi govorimo o dubinskoj igni i odglednoj igni. Dubinska igra je tipična za scensku formu koja kao da se ne pleše: očigledna igra se katkada izdvaja od svakog mimetičkog ili narativnog kriterijuma da bi se predstavila kao cisti izraz fizičkog dinamizma. Svaka predstava je, međutim, pies sa svojim fizičkim i mentalnim korenima. Pies je energija i misao. Demonstradja je na engleskom jeziku. Traje jedan 90 minuta. THE WHISPERING WINDS IN THEATRE AND DANCE Work demonstration by Odin Teatret's ensemble Direction: Eugenio Barba Duration: 1 hour 30 min. The performative civilisation of European origin suffers from the division between theatre and dance, almost as though these were opposite universes of expression. They are, in fact, a single world which develops into distinct genres and yet is rooted in the experience of how to let the performer's bodymind become scenically present. Instead of theatre and dance, we can talk of „deep dance" and „evident dance". „Deep dance" is typical of the scenic forms which do not seem to be danced: „evident dance" sometimes separates itself from every mimetic or narrative criterion in order to present itself as a pure expression of physical dynamism. All performance, however, is dance at its physical and mental roots. A dance of energy and thought.