Битеф
Bitefteatar 24. September, 18 h Trajanje: 80 min
Po romanu Stranac Albera Kamija / After The Stranger by Albert Camus Igraju / Cast: Imre-Elek Mikes, Arpad Mesaroš, Andrea Erdelj, Marta Bereš / Mikes Imre Elek, Mészéros Ârpéd, Erdély Andrea, Béres Mârta Asistent reditelja, muzika / Assistant director, music: Atila Antal / Antal Attila Koprodukcioni partner / Coproduction partner: *Udruženje *"*MASZK*"- Segedin / Society "MASZK"- Segedin Donatori / Suporters: Ministarstvo za obrazovanje i kulturu (Republika Mađarska) - "OKM", Fond "Szülôfold" (Republika Mađarska Ministry for education and culture (Republic of Hungary) - "OKM"/ Foundation "Szülôfold" (Republic of Hungary) "OKM", Sekretarijat za kulturu / Cultural secretary "(...)P/ažajeveoma promišljena,postdramska,ili post/neoavangardna predstava,donekleizgrađena na premisama istorijskih avangardi - autorefleksivnosti, provokativne komunikadje sa publikom, tematizacije odnosa realnog i fiktivnog, razbijanja tradicionalne dramske strukture, ukidanje stabilnih likova itd. Ali, ta njena avangardnost nije anahrona, predstava nije larpu rlartistička, niti je zaglavljena u nekoj formalističkoj samodovoljnosti. Naprotiv, ona pametno i duhovito postavlja savremena značenja istorijskih avangardi, pri čemu je i na tematskom planu prilično inspirativna, jer efektno polemiše о ljudskom postojanju, identitetu, krivici, odgovornosti, smislu života, značenjima smrti..." Ana Tasić, Politika "(...) The Beach is a very analytical, post-dramatic or post/neo-avant-garde production, based in part on the premises of historical avant-gardes: self-reflection, provocative communication with the audience, thematisation of the real-fictional relationship, doing away with the traditional dramatic structure, abolition of stable characters etc. However, its avant-garde character is not anachronistic. This is not art for the sake of art and it is not stuck in a formalistic self-sufficiency. Quite the reverse: in an intelligent and clever way it postulates modern meanings of historical avant-gardes, also quite inspiring thematically because it pointedly addresses the human existence, identity, responsibility, liability, purpose of life, meanings of death..." Ana Tasić, Politika
175