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29. SEPTEMBAR 15:00 KAFE-KLUB „POPARA“ (NE)RADNO VREME INTERAKTIVNA PREDSTAVA PREMA JEDNOČINCl VREME ZABAVE HAROLDA PINTERA PRODUKCIJA: ISPAD CENTAR ZA INTERAKTIVNE) UMETNOST. BEOGRAD, SRBIJA KONCEPT I REŽIJA: NIKOLA ISAKOVIĆ ■GRAJU: DEJANA DŽINIĆ, ALEKSANDRA VELJKOVIĆ, GORICA REGODIĆ, MARINA RAKIĆ, UROŠ MILOJEVIĆ, LJUBOMIR RISTIČ I STEFAN UROŠ TEŠIĆ PLAKAT; IVAN MILOŠEVIČ Gledaoci neprimetno (u početku čak i ne znajuči) bivaju uvučeni u razgovore sa glumcima za sosednim stolovima i tako se preobražavaju u likove komada (a ne samo poistovećuju sa njima kao što smo navikli). Oni, umesto putem empatije, katarzo doživljavajo na svojoj koži, U ovom koncepto se gobe jasne granice izmedb pozorišta i stvarnosti, što samo potvrđoje tezo da je pozorište svoda oko nas, te se vrača svojim korenima - ritoalo.

29 th SEPTEMBER 15:00 CAFÉ-CLUB “POPARA” (NON)WORKING HOURS INTERACTIVE PERFORMANCE /ADAPTED VERSION OF HAROLD PINTER’S ONE-ACT PLAY PARTY TIME PRODUCTION: ISPAD CENTRE FOR INTERACTIVE ART, BELGRADE, SERBIA CONCEPT AND DIRECTING: NIKOLA ISAKOVIĆ WITH: DEJANA DŽINIĆ, ALEKSANDRA VELJKOVIĆ, GORICA REGODIĆ, MARINA RAKIĆ, UROŠ MILOJEVIĆ, LJUBOMIR RISTIČ AND STEFAN UROŠ TEŠIĆ POSTER: IVAN MILOŠEVIČ The audience are subtly (even unknowingly in the beginning) drawn into conversations with the actors sitting at other tables, thus becoming the protagonists of the play (instead of only identifying with them, as usually is the case). Instead of reaching catharsis through empathy, the audience experiences it first-hand. This concept erases the borders between theatre and reality, which only proves that theatre is everywhere, and that it is returning to its roots - the ritual.

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/1 ISPAD ❖ nonAPÄ