Битеф

Sumnjiva lica je program edukacije mladih pozorišnih kritičara, u organizaciji Udruženja pozorišnih kritičara i teatrologa Srbije. Projekat ima za cilj da, s jedne Strane, obrazuje novu generaciju pozorišnih kritičara i pruži im mogučnost da se kritikom bave profesionalno i, sa druge, da stvori novi prostor za kritičko promišljanje pozorišta, njegove društveno-političke uloge i odnosa izmedu publike i umetnika. Program je započet u maju ove godine, uz učešče devet mladih kritičara. Odiasci u pozorište pračeni su svakodnevnim radionicama kritike; polaznici su imali priliku da pišu o predstavama mladih i renomiranih umetnika, nastalim prema domačim i evropskim klasicima, u nezavisnoj produkciji i produkciji subvencionisanih pozorišta, ista grupa kritičara okupiče se ponovo na poziv Bitefa, gde če u okviru pratečeg programa festivala svakodnevno pisati kritike o predstavama iz selekcije za festivalski blog. Prateče radionice baviče se specifičnostima kritičarskih projekata koji potiču „iznutra“- u ovom slučaju iz samog festivala o kome če polaznici pisati - kao i kulturološkim, društvenim i političkim dimenzijama medunarodnih festivala u kontekstu kritike. Mladi kritičari če takode steči iskustvo pisanja o predstavama „dugog trajanja", kao i pisanja od danas za sutra - uz kratke rokove karakteristične za profesionalnu kritiku. Sumnjiva lica su Ivona Janjič, Dorde Kosič. Borisav Matič, Marija Milovanovič, Milica Petrovič, Irena Plaovič, Mina Stanikič i Andrej Čanji. Mentor projekta je Bojana Jankovič. BOJANA JANKOVIČ je diplomirala pozorišnu režiju.na Fakultetu dramskih umetnosti u Beogradu i završila master študije iz performansa na univerzitetu Goldsmiths u Londonu. Pozorišnom kritikom prvobitno se bavila u okviru časopisa Teatron (2005-2013). Jedna je od inicijatorki projekta Critica i interruptions . koji se bavi kritikom novih pozorišnih formi; piše za onlajn i štampane publikacije. Bavi se performansom u okviru dua There There; njene predstave i instalacije prikazivane su i izlagane širom Velike Britanije, uključujuči Museum of London i Täte Modern/Tate Exchange. Gostujuči je predavač na Royal Central School of Speech and Drama u Londonu, Program Sumnjiva lica u organizaciji Udruženja pozorišnih kritičara i teatrologa Srbije, deo je projekta Kritičarski karavan koji podržava Ministarstvo kulture i informisanja Republike Srbije.

Sumnjiva lica (Persons of Interest) is a professional development programme for young theatre critics organised by the Serbian Association of Theatre Critics and Theorists. The project aims at developing a new generation of theatre critics and providing them with opportunities to work professionally, while at the same time creating new platforms for critical considerations of theatre, its societal and political role, and the relationship between audiences and theatre makers. The first stage of the project took place in May this year, with nine young critics participating. The programme consisted of daily workshops and theatre visits, and the critics had a chance to write about subsidised and independently produced performances, those based on national and European classics, and created by both emerging and established artists. The same group of critics has been invited to Bitef where they will, as part of the festival's side programme write about the festival performances daily and publish their texts on the festival blog, as part of the side programme. The accompanying workshops will focus on the specificities of embedded criticism and consider the cultural, societal, and political implications of international festivals as they relate to criticism. The young critics will also gain the experience of writing about durational performances and to tight deadlines, typical of many professional contexts. The young critics gathered around the project are: ivona Janjič, Đorđe Kosič, Borisav Matič, Marija Milovanovič, Milica Petrovič, Irena Piaovič, Mina Stanikič, and Andrej Čanji. The programme is led by Bojana Jankovič. BOJANA JANKOVIČ graduated from BA Theatre Directing at the Faculty of Dramatic Arts in Belgrade and MA Performance Making at Goldsmiths, University of London. As a critic, she wrote for the Serbian publication Teatron between 2005 and 2013. In the UK, she co-initiated Critical Interruptions, a project on performance and live art criticism, and she continues to write for online and print publications. She is also one half of performance company There There, whose work has been shown around the UK including at the Museum of London and Tate Modern/Tate Exchange. She is a Visiting Lecturer at the Royal Central School of Speech and Drama in London. Programme Persons of interest organised by the Association of Theatre Critics and Theatrologists of Serbia is a part of the Critics Caravan project supported by the Ministry of Culture and Information of the Republic of Serbia.

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