Битеф

23. septembar / is:00 SAVA CENTAR Trajanje: 24h (bez pauze, sa mogućnošću iziaska i ulaska)

September 23 rd / igzOO SAVA CENTRE Running time: 24h (without interval, with the option of walking in and out)

IZVOĐAČi / PERFORMERS: Lore Borremans, Katrien Bruyneel, Annabelle Chambon, Cédric Charron, Tabitha Cholet, Conor Doherty, Anny Czupper, Els Deceukelier, Barbara De Coninck, Piet Defrancq, Stella Höttler, Sven Jakir, Ivana Jozić, Marina Kaptijn, Gustav Koenigs, Colline Libon, Moreno Perna, Gilles Polet, Pietro Quadrino, Antony Rizzi, Matteo Sedda, Merel Severs, Kasper Vandenberghe, Lies Vandewege, Andrew Van Ostade, Marc Moon Van Overmeir, Marleen van Uden, Fabienne Vegt KOREOGRAFIJA: Jan Fabr i plesači / CHOREOGRAPHY: Jan Fabre and dancers TEKST / TEXT: Jeroen Olyslaegers, Jan Fabre MUZIKA/ MUSIC: Dag Taeldeman DRAMATURGIJA / DRAMATURGY: Miet Martens ASISTENT REDITELJA / ASSISTANT DIRECTOR: Floria Lomme VIDEO-RADOVI / SCREEN PHOTOGRAPHY: Phil Griffin KONCEPT MIRISA / SCENT CONCEPT: Peter de Cupere GOSTUJUĆI DRAMATURZI / GUEST DRAMATURGES: Hans-Thies Lehmann, Luk Van den Dries, Freddy Decreus DIREKTOR PRODUKCIJE / PRODUCTION MANAGER: Sebastiaan Peelers DIREKTOR TEHNIKE / TECHNICAL DIRECTOR: André Schneider SVETLO / LIGHT ENGINEER: Helmut Van den Meersschaut ZVUK I VIDEO / SOUND AND VIDEO ENGINEER: Tom Buys TEHNIKA / TECHNICIANS: Wout Janssens, Vic Grevendonk, Kevin Deckers KOSTIMI / COSTUME ARRANGER: Kasia Mielczarek ASISTENT KOSTIMOGRAFA / COSTUME ASSISTANT: Maarten Van Mulken REKVIZITA / PROPS: Roxane Gire, Alessandra Ferreri ORGANIZACIJA GOSTOVANJA / TOUR PLANNING: Sophie Vanden Broeck KOPRODUKCIJA/ CO-PRODUCTION: Berliner Festspiele/Foreign Affairs (Berlin, DE), Concertgebouw Brugge (Bruges, BE), Stadsschouwburg Amsterdam (Julidans festval) (NL) UZ POSEBNU PODRŠKU GRADA ANTVERPENA / WITH THE SPECIAL SUPPORT FROM THE CITY OF ANTWERP (BE) PODRŠKA / SUPPORTED BY: Angelos, Antwerp / Jan Fabre dobija sredstva od flamanske zajednice / Jan Fabre receives funding from the Flemish community FOTOGRAFIJE / PHOTOGRAPHY: Wonge Bergmann

REČ SELEKTORA Na osnovu mišljenja uglednih kritičara i, pre svega, reakcija gledalaca u gradovima u kojima se igrao ovaj scenski spektakl, slobodno se može reči da je projekt Olimp: u slavu kulta tragedije - predstava od 24 sata čuvenog belgijskog reditelja Jana Fabra jedan od najznačajnijih dogadaja savremenog teatra. U kontekstu 51. Bitefa, predstava dešifruje sva značenja njegovog koncepta (i slogana): „epskog" - sam materijal potice iz epova (i, sire, mitova), pripovedačkog, a ne dramskog modusa s dugim trajanjem (ona zaista traje 24 sata), a „trip“ kao putovanje u, ovog puta, antičku mitsku prošlost, zapravo je kolokvijalni izraz za omamljujuče, hipnotičko stanje u koje nas uvode predstave ove dužine i ovakvog scenskog izraza. Scene su zasnovane na celokupnoj antičkoj mitskoj gradi, kako na onoj obradenoj u Homerovim epovima, tako i na onoj koju

CURATORS’ WORD Prominent critics but primarily the reactions of spectators in the cities where this theatre spectacle was performed amply demonstrate that Mount Olympus: To Glorify the Cult of Tragedy - a 24-hour performance by the celebrated Belgian director Jan Fabre is one of the most significant events in the modern theatre. Within the context of the 51 st Bitef, this production decodes all meanings of its concept (and slogan): "epic” meaning material derived from epics (and, more broadly, myths), narrative rather than dramatic mode, and long duration (it truly lasts 24 hours), while the word “trip” refers to a passage to, on this occasion, the ancient mythical past, while also representing a colloquialism for a stupefying, hypnotic state induced by productions of such length and theatrical expression. The scenes are based on complete ancient mythological material - the one found