Битеф

37

15. septembar / 20:00 NARODNO POZORIŠTE U BEOGRADU SCENA „RAŠA PLAOVIĆ" Trajanje: Ih 25’ (bez pauze)

September 15 th / 20:00 11 NATIONAL THEATRE IN BELGRADE || RAŠA PLAOVIĆ STAGE 11 3 Running time: Ih 25’ (without interval) § :

KOMPOZITOR / MUSIC COMPOSER: Anja Đorđević KOREOGRAF / CHOREOGRAPHER: Igor Koruga SCENOGRAF / SET DESIGNER: Igor Vasiljev KOSTIMOGRAFKINJA / COSTUME DESIGNER: Marina Vukasović Medenica ASISTENTKINJA SCENOGRAFA / ASSISTANT SET DESIGNER: Isidora Spasić ASISTENTKINJA KOSTIMOGRAFA / ASSISTANT COSTUME DESIGNER: Aleksandra Pecić IZVRŠNA PRODUCENTKINJA / EXECUTIVE PRODUCER: Ivana Nenadović ORGANIZATORKA / PRODUCER: Jasmina Urošević INSPICIJENT / STAGE MANAGER: Miloš Obrenović SUFLERKA / PROMPTER: Anja Gavrilović

IGRAJU / CAST: Milos Đorđević, Jelena Đokić, Danijela Ugrenović, Suzana Lukić, Pavle Jerinić Bojana Đurašković

MUZIČARI / MUSICIANS: Nevena Pejčić, Aleksandar Solunac, Danilo Tirnanić DIZAJNER SVETLA / LIGHT DESIGNER: Milan Kolarević MAJSTOR MASKE / MAKE UP: Marko Dukić MAJSTOR POZORNICE / STAGE MASTER: Zoran Mirić MAJSTOR TONA / SOUND MASTER: Tihomir Savić ASISTENTKINJA ORGANIZATORA NA PRAKSI / ASSISTANT PRODUCER: Marija Kovačević

FOTOGRAFUE / PHOTOGRAPHY: Vicencio Žaknić

REČ SELEKTORA

Mjuzikl Bolivud Narodnog pozorišta iz Beograda, po tekstu i u režiji dramske spisateljice i performerke Maje Pelević, izabran je za glavni program Bitefa prevashodno zbog toga što predstavlja inovativan, drugačiji oblik „političkog pozorišta" od onog na koji smo u Srbiji navikli poslednjih godina. U naizgled lakoj, neobaveznoj, komički besprizornoj formi „treš mjuzikla“, koji se izuzetno pametno poigrava ikonografijom kiča, nižu se vrlo nadrealni a, zapravo, sasvim realistički prizori srpske tranzicijske stvarnosti. Oni su tipični i za druga, ekonomski, politički i etički razorena društva Istočne Evrope: opustošene socijalističke fabrike, špekulacije inostranih investitora, ksenofobija, ponižavajući položaj „radnika u kulturi", ali i njihov manjak klasne i svake druge svesti. Ovi se problem!, bez ikakvog moralisanja i pametovanja, mapiraju u prid o velikoj bolivudskoj producentskoj kud koja dolazi u mali istočnoevropski grad na granici, ispunjen etničkim tenzijama, uključujud i one koje su posledica prisustva izbeglica koje tu čekaju na ulazak u EU, i

CURATORS’ WORD

The musical Bollywood, written and directed by Maja Pelević and produced by the National Theatre in Belgrade, has been selected primarily due to its innovativeness and the fact that it represents a form of “political theatre” different from what we are used to seeing in Serbia today. This seemingly easy, nonchalant and comically coarse form of "trash musical”, which ingeniously toys with kitsch iconography, strings out a completely surreal and yet very realistic imagery of Serbian reality in transition. Moreover, these images are also typical of other economically, politically and ethically ravaged eastern European societies: devastated socialist factories, foreign investors’ speculations, xenophobia, the humiliating position of “cultural workers” who, however, show an utter lack of class consciousness and any other consciousness whatsoever. Without any kind of preaching or enforced ethics, this performance presents a story of a great Bollywood production house which comes into a small east-European border town filled with ethnic tensions