Битеф

16. septembar / 20:00 BEOGRADSKO DRAMSKO POZORIŠTE SCENA „RADE MARKOVIĆ" Trajanje: Ih 20’ (bez pauze)

September 16 th / 20:00 BELGRADE DRAMA THEATRE RADE MARKOVIĆ STAGE Running time: 1h 20’ (without interval)

SCENOGRAF / SET DESIGNER: Igor Pauška KOSTIMOGRAF / COSTUME DESIGNER: Sandra Dekanić DRAMATURG / DRAMATURGE: Aljoscha Begrich

ULOGE / CAST: Mehmet Ate?ci, Maerike Beykirch, Svenja Liesau, Nika Mišković, Falilou Seek, Alexander Sol Sweid, Till Wonka

ASISTENT REŽIJE / ASSISTANT DIRECTOR: Leon Siewert PREVODILAC PRODUKCIJE / PRODUCTION TRANSLATOR: Noemi Berkowitz ASISTENT SCENOGRAFA / SET DESIGN ASSISTANT: Katharina Scheicher ASISTENT KOSTIMOGRAFA / COSTUME DESIGN ASSISTANT: Julia Denzel INSPICIJENT / STAGE MANAGER: Corinna Siewert-Scherzer ŠAPTAČ / PROMPTER: Helena Kontoudakis REŽISER NA PRAKSI / PRACTICING DIRECTOR: Julia Gonchar, Sam Hunter SCENOGRAF NA PRAKSI / PRACTICING SET DESIGNER: Paulina Barreiro, Julia Gajic DRAMATURG NA PRAKSI / PRACTICING DRAMATURGE: Nuria Kochling INSPICIJENT NA PRAKSI / PRACITCING STAGE MANAGER: Stojan Kissiov

MAJSTOR BINE / STAGE MASTER: Klemens Stark MAJSTOR SVETLA / LIGHT MASTER: Jens Kruger TONAC / SOUND: Hannes Zieger REKVIZITER / PROPS: Christian Binner, Jurgen Gebhardt MASKA / MASK: Spyridon Prosoparis GARDEROBERKA / WARDROBE: Jeanett Bogan ZADUŽENE ZA DECU / CHILD CARE: Noemi Berkowitz, Mareike Dobberthien

FOTOGRAFIJE / PHOTOGRAPHY: Ute Langkafel

REČ SELEKTORA

Naslov predstave Gorki - Alternativa za Nemačku? izrazito je slojevit. On jasno postavlja pitanje da li berlinsko pozorište „Maksim Gorki" može da bude svojim naprednim, levičarskim, za strance i njihove probleme otvorenim umetničkim programom - prava društvena alternativa u savremenoj Nemačkoj. lako je još uvek jedno od najotvorenijih u Evropi, i nemačko društvo danas skreće, kao i sva druga, udesno, a što potvrđuje činjenica da je na poslednjim izborima, prvi put posle Drugog svetskog rata, u Bundestag ušla partija ekstremne desnice, koja se zove upravo - Alternativa za Nemačku. Na umetnički vrlo originalan i inventivan način, Oliver Frljić i ovog puta pokreće svoju omiljenu temu: društvenu funkeiju teatra, njegov poteneijal za politick! otpor, Na njemu svojstven, kvazidokumentaran i improvizovan način, u prvom delu predstave Frljić kritički ispituje političku korektnost u

CURATORS’ WORD

The title of the performance Gorki - Alternative for Germany? is intrinsically multilayered. It poses a straightforward question if Berlin Maxim Gorki Theatre can be - in its progressive, left-wing artistic program which is open for foreigners and their problems - a real social alternative in Germany of today. Although still one of the most open societies in Europe, German society, like all the others, has also started taking a turn to the right, which is obvious from the fact that last elections, for the first time after the Second World War, have put a far-right party - called Alternative for Germany - into Bundestag. In an artistically original and inventive way, Oliver Frljić once again tackles his favourite subject: social function of theatre, its potential for political resistance. Using his typical approach, based on pseudo-documentary theatre and improvisations, Frljić explores political correctness in how Maxim Gorki Theatre applies employment

43