Битеф

17. septembar / 20:00 ATELJE 212 SCENA „MIRA TRAILOVIĆ“ Trajanje: 1h 30’ (bez pauze)

September 17 th / 20sOO ATELJE 212 MIRA TRAILOVIĆ STAGE Running time: 1h 30’ (without interval)

PREVOD / TRANSLATION: Helena Baldasar ASISTENT REDITELJA / DIRECTOR ASSISTANT: Tim Hrvaćanin DRAMATURŠKIN JA / DRAMATURGY: Nina Gojić ASISTENT DRAMATURŠKINJE / DRAMATURGY ASSISTANT: Robin Mikulić SCENOGRAF / STAGE DESIGN: Igor Pauška KOSTIMOGRAFKINJA / COSTUME DESIGN: Sandra Dekanić IZBOR MUZIKE / MUSIC SELECTED BY: Oliver Frljić POKRET / STAGE MOVEMENT: Ana Kreitmeyer DIZAJN SVETLA / LIGHT DESIGN: Vesna Kolarec DIZAJN ZVUKA / SOUND DESIGN: Alan Sinkauz IZVRŠNA PRODUCENTKINJA I INSPICIJENTKINJA / EXECUTIVE PRODUCER AND STAGE MANAGER: Mirela Tihava

GLUMCI / ACTORS: Vilim Matula, Branka Trlin, Linda Begonja, Damir Poijičak, Roko Sikavica, Mirela Videk Hranjec, Jerko Maričić, Borko Perić, Tihana Lazović, Kim Končar, Karlo Mlinar, Ozren Opačić, Filip Sertić, Matija Šakoronja TEHNIČKO VOĐSTVO / TECHNICAL DIRECTOR: Branko Lepen UPRAVNIK / MANAGER: Roman Šušković - Stipanović

FOTOGRAFIJE / PHOTOGRAPHY: ines Stipetić

REČ SELEKTORA

Predstavom Šest iica traži pisca, reditelj Oliver Frljić još jednom, na sebi svojstven način, beskompromisno napada hrvatsku desnicu. Na prvi pogled deluje neobično kako mu to polazi za rukom kada za polazište ne uzima neku dokumentarnu građu već poznato klasično delo Luidija Pirandela, koje ima filozofsku, a ne političku tematiku. Na samom početku predstave, Frljić udara pravo u lice: glumci na sceni ne pripremaju, kao u metateatarskom uvodu drame, jedan drugi Pirandelov komad, već izmaštan, improvizovan, pučki satirički igrokaz, baš primeren Satiričkom kazalištu „Kerempuh", čiji su junaci stvarni protagonist! hrvatske desnice - Hasanbegović, Željka Markić, Tompson itd. Posle ovog bespoštednog, urnebesnog i komički punokrvnog uvoda, Frljić čvršće vezuje scensku akciju za Pirandelovu priču; zapravo, od pojave samih „lica", prati se, sa manjim ili većim dramaturškim izmenama, izvorna dramska naracija. Međutim, i u glavnom delu predstave reditelj pametno pronalazi vezu s ekspanzijom desnice, na kojoj zasniva ceo koncept predstave. Kada mole glumce da odigraju njihovu dramu, „lica" se stalno pozivaju na „obiteljske vrednosti", pošto su sva ona članovi jedne vrlo bizarne porodice. Upravo

CURATORS’ WORD

Six Characters in Search of an Author is yet another performance by director Oliver Frljić in which he mercilessly attacks the Croatian right wing in his own unique way. Although at first seemingly unusual, since it is not based on documentary material but on the famous work by Luigi Pirandello - the topic of which is not political but philosophical - Frljić strikes a blow right from the start. The actors are not preparing another Pirandello's play but an imaginary, improvised, satirical play, typical of Kerempuh Satirical Theatre, whose characters are true protagonists of Croatian right wing - Hasanbegović, Željka Markić, Tompson, etc. After this fierce, hilarious, and comically full-blooded introduction, Frljić makes a stronger link to Pirandello’s story. From the first appearance of these characters, the audience follows the original narration, though occasionally more or less dramaturgically altered. In that main part of the performance, however, the director does make an intelligent link to the expansion of the right wing, which is the main concept of the performance. While imploring the actors to play their drama, the characters keep referring to “family values”, since all of them belong to a somewhat bizarre family. It is exactly this bizarre aspect of those relation-

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