Битеф

nevice, umjesto koje čitava glumačka i autorska ekipa zahtijeva ozbiljnost i analitičnost sagledavanja društvenog kriminala." Nataša Govedić, Novi list

„Prvih 15 minuta zastrašujuća je alegorija države svinjca u kojoj se konzervativna 'elita’ drogira nacijom, vjerom, kokainom i novcem, ne nužno tim redom..." Boris Rašeta, Ekspres

~U velikom je broju Frljićevih predstava izražena tjeskoba prema desničarskim političkim i religijskim ekstremima. Svjestan organske veze između kazališta i politike, tim jače jer je kazalište javna ustanova, iskorištava prostor za kritiku namjernog prokazivanja, potiskivanja i zaboravljanja, koristeći prilično doslovan i slikovit kazališni jezik serviranja, a ne dociranja ili sugeriranja." Anđela Vidović, Arteist

Germany. Upon graduation, he returned to Italy, got married and fathered three children. His trust in Mussolini was so big that he sent his Nobel Prize medal to the Fascist government, thus supporting Duce's imperialist aspirations. After he had his wife committed to psychiatric asylum, he came into conflict with Fascist leaders, which put him under constant surveillance for the rest of his life. He died at his home in Rome in 1936, leaving behind one of the most relevant literary opuses of the first part of the 20th century.

FROM THE REVIEWS

“There is no doubt that one part of the audience will be scandalized by this performance but scandal is not the fuel used for Frljić’s stage coach. On the contrary: scandal is ridiculed as a cheap demagogy in Croatian

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