Битеф

18. septembar / 20:00 POZORiŠTE NA TERAZIJAMA Trajanje: Ih 40’ (bez pauze)

September 18 th / 20:00 TERAZUE THEATRE Running time: 1h 40’ (without interval)

POKRET / BODYWORK: Juri Nael DIZAJN SVETLA / LIGHT DESIGN: Petri Tuhkanen DIZAJN MUZIKE / MUSIC DESIGN: Jakob Juhkam, Tiit Ojasoo, Ene-Liis Semper DRAMATURG /DRAMATURGE: Eero Epner

IZVOĐAČI / PERFORMERS: Marika Vaarik, Helena Pruuli, Rea Lest, Rasmus Kaljujarv, Ragnar Uustal, Gert Raudsep, Simeoni Sundja, Jorgen Liik, Mart Kangro

IZVRŠNI DIREKTOR THEATRE N 099 / MANAGING DIRECTOR OF THEATRE N 099: Juta Saarevet TEHNIČKI DIREKTOR / STAGE DIRECTOR: Kairi Mandla ŠEF DEKORATERA / CHIEF STAGE MASTER: Reigo Tammjarv DEKORATERI / STAGE MASTERS: Rene Liivoja, Kaur Kivilo INSPICIJENT / STAGE MANAGER: Ulie Hertmann TON-MAJSTOR / SOUND MASTER: Raido Linkmann KOSTIMI / COSTUMES: Moonika Lausvee

FOTOGRAFIJE / PHOTOGRAPHY: Tiit Ojasoo

REČ SELEKTORA

Teatar N 099 biće jedno od najvećih otkrića za publiku 52. Bitefa, posebno ako se ima u vidu to da na našem festivalu nikad nismo videli nijednu trupu iz Estonije. Međutim, ova kompanija već je medunarodno poznata i priznata, posebno otkako je 2017. godine dobila prestižnu nagradu „Premio Evropa: Pozorišna realnost", a njen rediteljski tandem, Ene-Lis Semper i Tit Ojaso, režirao je i u drugim sredinama, pre svega u Nemačkoj. Predstava N 043 Prljavština vid je fizičkog teatra pre nego savremenog plesa, s izraženim likovnim aspektom. Deset telesno sjajno artikulisanih dramskih glumaca izvode, u ringu ispunjenom blatom, niz raznovrsnih, pretežno neverbalnih situacija: u rasponu od scena iz svakodnevnog života do onih koje razvijaju hrišćanske alegorije. Zajedničko im je to što su sve komične i apsurdne, kao neka varijacija Joneskovog teatra, ali i to što grade „globalnu metaforu" raspada savremenog sveta - onog koji se „valja u blatu". Ali, upravo to što se glumci doslovno valjaju u blatu i što se situadje stalno menjaju i razvijaju u novim, neočekivanim i apsurdnim pravcima, onemogućava da predstavu svedemo samo na ovu, površnu metaforu: njen snažan performativno-vizuelni efekat odnosi prevagu nad bilo kojim izričitim značenjem... Starija publika Bitefa sigurno će se s nostalgijom

CURATORS’ WORD

Theatre N 099 is set to be one of the major discoveries for 52 nd Bitef audience, especially given the fact that this is the first time we have a theatre troupe from Estonia at our festival. And yet, they have already achieved international acclaim, especially after receiving the prestigious award “Premio Europa: Theatrical Realities” in 2017, and after its directors, Ene-Liis Semper and Tiit Ojasoo have worked in other countries, especially in Germany, The performance N 043: Filth is a form of physical theatre, rather than contemporary dance, with an emphasized visual aspect. Ten wonderfully expressive actors perform in a series of various situations, mostly non-verbal, ranging from everyday to scenes that develop Christian allegories. What they have in common is a comic and absurd element, resembling lonesco’s theatre, but also in the fact that they create a “global metaphor” of the disintegration of the contemporary world - one wallowing in the mud. And yet, the very fact that actors literally wallow in mud, and that the situations keep changing and developing in new, unexpected, and absurd directions, prevents us from reducing this performance to that shallow metaphor: its powerful performative-visual effect outweighs any clear meaning... Somewhat older Bitef audiences will most certainly be nostalgic about these performances, which have led to a general belief that the Belgrade fes-