Chinese calligraphy : an introduction to its aesthetic and technique : with 6 plates and 155 text illustratons

INDEX

Styles (continued) T ‘ieh-Hsien-Chiian (Iron-Wire-Seal Writing), 53 Ts‘ao-Shu (Grass Style), 40, 42, 43, 67, 80, 93-105, 122, 127, 129, 130, 140, 143, 145, 147, 151, 170, I9II92, 204, 207, Plate V Tso-Shu, another name for Li-Shu ‘ Twining Grass ’, 93 Yii-Ching-Chiian (Jade-Muscle-Seal Writing), 53 Sung dynasty, 11, 68, 75, 83, 85, 98, 167 Sung Ts‘ao, 222 Sung Yi, 125 Sun Kuo-Ting, 192 Sun Ta-Yu, 193, 203 Surrealism, 108-9 © Su-Shu-Fa-Lun’, 222 Suspended Wrist, see Hsiian-Wan Szu-shu, 16 © Szu- Yu-Ch‘ai-Shu-Lun’, 222

Ta-Chiian, see Styles Ta-Ch‘uan Hall, Collection of, KiuKuang, 58 Tai Hsi, 118 Tai Liang-Mo, x Collection of Peip‘ing, 69 T‘ai Shan mountain, 52 T‘ai Tsung, Emperor, 68 T‘ang dynasty, 12, 46, 68, 71, 79, 81, 96, 97, 167, 171 Southern, 52 T‘an Yen-Kai, 90 Tao Chiu-Ch‘éng, 221 “Ta - Tz - Chieh - Kou - Pa - Shih Szu-Fa’, 185 Téng Shih-Yti, 55, 56, 118, 120, 219 “Thirteen Classics’ (of Confucius), 5 Three Folds Method, see Yung-Pi

Ti (brush movement), see Yung-Pi

Tt, see Strokes

T1‘eh-Hsten-Chiian, see Styles

Tien, see Strokes

T1-Wan, 142-3

T‘o-Kou, 161

tortoiseshells, 23, 43

‘ Touching-the-Stirrup method of brush holding, see Po-Téng

T‘sai Hsiang, 68, 98

T‘sai Yung, 60, 93, III

Tsai Yii-Ting, x

Collection of, Nanchang, 8, 54, 63,

72, 88, 94

Ts‘ang-Chieh, 20-1, 41

Ts‘ao-Ch‘iian, epitaph of, 61

Tsé-Na, 159

Tséng-Chien, 182

Tseng, C. Y., Collection of, Nanking, 63

Tséng family, Collection of, Hu-Nan, 49

Tséng Hsi, 49

Tseng Kuo-Fan, 49

Tseng-Yen-Tung, Frontispiece

Tso-Shu, see Styles

Tso- Yu-Tien, 153

Ts‘uan-Pao-Tzu, stone inscription of, 63

Tuan-Chith-Pieh, 157

Tui-Tzu, 7, 10

Tun, see Yung-Pi

Tung Ch‘i-Ch‘ang, Plate V, 80

Tu Ts‘o, 93

Twining Grass Style, see Ts‘ao Shu

Tz‘ao-Shu, see Styles

Tzii, see Categories

* Tzu-Hsiieh-i-Ts‘an’, 222

Varnish Style, see Chi-Shu

[ 229 ]