Битеф
Exhibition Sculptured time presents a selection of photographs from Tomaž Pandur's theatre, a selection of cycles that were created in European metropolises in the last fewyears. 120 photographs of the large format depict celebrity actors at their best (Blanca Portillo, Vladimir Malakhov, Rade Šerbedžija, Asier Etxeandfa...) and are adorned with quotes from Pandur's performances Medea, Hamlet, Caligula, Barroco, Tesla Electric Company and Symphony of Sorrowful Songs. AUOŠA ALEKSEJ REBOU is born in Kranj, Slovenia, in 1966. He started acting at the age of twelve and has since then worked with ex-Yugoslavia's most prominent theatre directors. He studied at the Faculty of Architecture and Civil Engineering, as well as drama at the Academy of Theatre, Film, Radio and Television. He pursued studies at the British School of Freelance Photography for six years, delving into the alchemy of classic photography by spending his nights in the darkroom. Afterthat his first published photograph appeared in the French magazine Photo. During the next fifteen years his photographs were published by a cross-section of the Slovenian editorial press and were commissioned by virtually ail major advertisers. „Svet je predstava. Dijagnoza trenutka. Rastuća buka novog veka. Sile razramljivanja. Pogled preko vidika. Memento. Čekaonica sećanja. Poezija odlaska. Umetnost putovanja. Metamorfoze. Metempsihoze. Mutacije. (...) Snimaš svet koji poznaješ, snimaš svet koji stvaraš. Tvoje vreme i tvoje pamćenje stapaju se jedno u drugo. U stotinu dvadeset fotografija stvarnosti, koje postaju pozorište." Tomaž Pandur "The world as a performance. A diagnosis of the moment. The growing noise of the new century. The forces of de-framing. Scanning the view. Memento. The waiting room of memory. The poetry of departure. The art of travel. Metamorphoses. Metempsychoses. Mutations. (...) You photograph the world you know,you photograph the world you create. Your time and your memory merge into each other. Into one hundred and twenty photographs of reality, that become theatre." Tomaž Pandur
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