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sovjetskog socijalizma koji se, samo deset godina po završetku revolucije, transformisao u totalitarnu diktaturu, vešto sakrivenu iza komunističkih slogana. Štaviše, ona se bavi stogodišnjom čežnjom za Ruskim carstvom koje je postojalo pre revolucije. Pred nama izranja slika velike ruske utopije.

O AUTORKAMA

MARINA DAVIDOVA, je pozorišna kritičarka, istoričarka i producentkinja, zaposlena na Institutu za umetničke studije kao Viši naučni saradnik. Istoriju zapadnoevropskog pozorišta predavala je na raznim univerzitetima, dok je na Ruskom državnom univer-

European Theatre since Renaissance Time until the End of the XIX Century. As a critic, she writes for papers like Iswestja and in addition serves as chief editor for the magazine Teatr. Davydova is artistic director of Moscow’s Net-Festival, writes a regular column for Colta.ru and was, in 2016, in charge of the program at Vienna Festwochen. She has been awarded numerous prizes including the Stanislawski award for best book publication. She developed Eternal Russia, her first artistic piece, in cooperation with Vera Martynov.

VERA MARTYNOV served as artistic director of Moscow’s Gogol Centre theatre from 2012 to 2015. Since 2015, she began to work more independently at the-