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zitetu za humanističke studije držala i brojne radionice pozorišne kritike, Autorka je monografije Ende einer Theaterepoche (2005), koja obuhvata poslednju deceniju ruskog pozorišta, i urednica knjige Istorija zapadnoevropskog pozorišta od renesanse do kraja XIX veka. Pozorišnu kritiku piše za dnevne novine Izvestija, radeći, pritom, i kao izvršni urednik časopisa Teatr. Davidova je umetnička direktorka moskovskog Net-Festivala, stalna kolumnistkinja portala Colta.ru, a 2016. bila je selektorka festivala Viner Festvohen. Dobitnica je niza nagrada, medu kojima je nagrada „Stanislavski" za najbolje književno izdanje. Večna Rusija njeno je prvo umetničko delo, nastalo u saradnji sa Verom Martinov.

VERA MARTINOV bila je na funkciji umetničke direktorke moskovskog Gogolj centra od 2012. do 2015. godine. Od 2015, otpočela je nezavisnu saradnju sa pozo-

atres, museums, and galleries. In 2016, she became the artistic director of the New Space Theatre of Nations. In addition, she is not only a co-founder of the Dmitry Krymov Laboratory, but also serves as its stage and costume designer as well as acting. In 2012 and 2013, she worked at the Robert Wilsons Watermill Center. Martynov received numerous awards, among them the Golden Triga Award of Prague’s Quadrennial, the Edinburgh International Art Festivals Award (together with Dmitry Krymov Laboratory), and the Golden Masque Award for best stage set. Martynov has taught at MHAT School-Studio, the Russian Academy of Theatre Arts (RATI/ GITIS), and the British Higher School of Design in Moscow. Eternal Russia, a collaborative work that she developed together with Marina Davydova, is her first work for HAU Hebbel am Ufer.