The Phœnician origin of Britons, Scots & Anglo-Saxons : discovered by Phœnician & Sumerian inscriptions in Britain, by preroman Briton coins & a mass of new history : with over one hundred illustrations and maps, стр. 339
TRUE CROSS MADE CRUCIFIX IN torn CENT. 303
now familiar. From this very late date the True Cross then began, for the first time, to be called, or rather miscalled, in modern Christianity, “ The Crucifix,” and to be represented as such in Christian art. And the glorious ancient Aryan ‘“‘ pagan” tradition of the True Cross as the symbol of Divine Victory and Devil-banishing was then transferred to this new form of “ Crucifix,” now that it had been given the form of the sacred old Aryan Sun Cross.
This transference to Christ's Crucifix of the form and glorious tradition of the ancient Aryan Sun-Cross of the Hittites or Goths is thus one of the great positive contributions made by the Goths to Christianity. Amongst their other great contributions to Christianity is “ Gothic ’’ architecture—the noblest of all forms of religious styles of building and ancient semi-pointed arches of quasi-Gothic type are still seen in the ruins of Hittite or Catti buildings dating back to at least the second millennium B.c. The Gothic translation of the New Testament, also by prince Ulfilas, one of the earliest of the extant versions of the Christian Scripture, is a chief basis of our “ English ” translation of the Gospels. It was the Goths also, in the purity of their ancestral Monotheist idea of God, who successfully resisted the introduction of the Mother-Son cult by the Romish and Alexandrine Church into their Christianity in Nestorian Asia Minor and Byzantium, and thence also in Gothic Britain and North-western Europe.
It was this same steadfast Gothic Monotheism, inherited from the Aryan Gothic originators of the idea of The One God, through our own “ pagan” ancestral Gothic Early Britons and their descendants, which has clearly kept British and Scandinavian Christianity free from the taint of the aboriginal Chaldee Mother-Son cult and the host of polytheist saints which disfigures most of the continental forms of Christianity. It is also this ancestral Gothic Monotheism which now explains for the first time the origin of the “ Avianism”’ of the Goths—the lofty and refined philosophical Gothic conception of Monotheism, which our modern ecclesiastic and ethical writers are totally at a loss to account for amongst such a “ rude untutored barbarous ”’