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STEFAN BLASKE radi kao dramaturg za Milo Raua i „Medunarodni institut političkog übistva". Studirao je pozorište i medije, kao i filozofiju, političke nauke i administraciju u Hajdeibergu, Špajeru, Erlangenu (Nemačka) i u Renu (Francuska). Pošto je izvesno vreme 2005. proveo radeći za Federalno ministarstvo obrazovanja i istraživanja u Berlinu, postao je predavač iz oblasti pozorišta i medija na univerzitetima Erlangen-Nirnberg i u Beču, a počeo je i da drži predavanja u Amsterdams Bazelu, Berlinu, Epidavrosu, Njujorku, Filadelfiji, Utrehtu i drugim gradovima. Članci su mu objavljeni u raznim knjigama i časopisima, poput ÜBU i Fotogeschichte. a jedan je od urednika antologije Pozorište i mediji (2008). U to vreme je pisao i pozorišne kritike za medije u Nemačkoj. Od 2011, u Minhenu radi za Bavarsko državno pozohšte (Residenztheater). Predavao je dramaturgiju na Visokoj školi za, muziku i pozorište na Akademiji August Everding i u Školi Oto Falkenberg. Kao dramaturg, uglavnom radi u oblasti dokumentärnog pozorišta. Od 2015, clan je žirija siobodnih pozorišnih grupa i umetnika grada Minhena. STEFAN BLAESKE works as a dramaturge for Milo Rau and the "International Institute of Political Murder”. He studied Theater and Media as well as Philosophy, Politics and Administration in Heidelberg, Speyer, Erlangen (Germany) and Rennes (France). After working for the Federal Ministry of Education and Research in Berlin 2005, he started teaching theatre and media studies at the universities of Erlangen-Nuremberg and Vienna and giving lectures in Amsterdam, Basel. Berlin, Epidavros, New York, Philadelphia, Utrecht and others. He published articles in several books and magazines, such as ÜBU and Fotogeschichte, and is co-editor of the anthology Theater and the Media (2008). At that time he was also writing theatre critics for German media. Since 2011 in Munich, he has been working for the Bavarian State Theatre (Residenztheater). He was teaching dramaturgy at the Hochschule für Musik und Theater, at the August Everding Akademie and at the Otto Faickenberg Schule. As a dramaturge, Stefan Blaeske is working mostly in the field of documentary theater. Since 2015 he is also part of the jury for free theatre groups and artists for the city of Munich.

TOMAS VOLGRAV roden je u Antverpenu u Belgiji. Studirao je istoriju umetnosti i kognitivnu antropologiju. Specijaiizovao je na temi nomadskih društava s posebnim osvrtom na tuareške nomade centralne Sahare i Sahela. U periodu od 1987. do 1992. bio je saradnik umetničkog centra Monty u Antverpenu, Od 1991. do 2009. bio je član pozorišne trupe TG STAN (Belgija), gde je radio scenografiju i svetlo za vise od pedeset predstava, a i dalje je clan upravnog odbora trupe. Kao dizajner svetla i scenograf ostvaruje saradnju sa raznim umetnicima iz Evrope I Brazila. Predaje na Forum Dança u Lisabonu. Od 2009. umetnički je direktor Alkantare, organizacije za savremene izvođačke umetnosti u Lisabonu. Svake dve godine, Volgrav organizuje medunarodni Festival Alkantara, vodi centar za umetnička istraživanja I gostujuće umetnike I aktivno učestvuje u raznim projektima medunarodne saradnje s posebnim interesovanjem za neevropski savremeni kontekst. —THOMAS WALGRAVE is born in Antwerp, Belgium. He studied History of Art and Cognitive Anthropology. Specialized in nomadic societies, focused on the Tuareg nomads of the Central Sahara and Sahel. From 1987 until 1992 collaborator of the Antwerp arts Centre Monty. From 1991 until 2009 a core member of theatre company TG STAN (BE), responsible for the scenography and/or light design of over 50 productions of the company. Up till today board member of the company. Collaborates besides as light and/or set designer with artists in Europe and Brasil. Teaches at the Forum Dança in Lisbon. Since 2009 he is artistic director of Alkantara, a Lisbon based organization for contemporary performing arts. Alkantara organizes the biannual international Alkantara Festival, operates a center for artistic research and residencies, and is active in a diverse range of international collaboration projects, with a special emphasis on exchange with non-European contemporary contexts.

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